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I'm an entrepreneur, don't have a lot of money, but I'd love to help creative talents (actors and others) get noticed with what we've built - can you help me get the word out? by 0AMA  •  last post Aug 30th

I'm not an actor. I'm not good at any of the performing arts. But I believe that artists deserve to be noticed and their talents deserve to be heard. We built Rumbl, a 60s video platform that is all about having your voice heard and your talents seen. We are fairly new but our community is super positive and our creators absolutely love it here! With the small amount of money we have, we would love to bring visibility to the performing arts community. So, we have a [Performing Arts Rumbl-a-thon](https://rumbl.me/performingarts) that is coming up - it runs all September. We will feature one performing arts channel a day during this period, have weekly raffles, and some cash prizes at the end of it. The cash may be an added incentive to some of you, but our real goal is to ensure that as many artists as possible get noticed, not just the ones who have already made it. I would absolutely love it if you could help me spread the word here on Reddit and elsewhere! I'm happy to answer questions here or on a PM. Thank you!

I haven’t heard back after my callback, but I was told I did great? by theactingkid  •  last post Aug 30th

So about a month ago I auditioned for this feature film, shortly after I was told I had a callback, I went to the callback met the director and a couple of the producers, they were extremely nice and it seemed like I made a connection, this was exactly two weeks ago. A week after my callback my agent emails me saying that the CD told her that “ He did great and He’s still in the mix (: “ smiley face and all. I still haven’t heard back and they’ve started to announce some of the lead roles who happen to be somewhat big Hollywood actors so the budget is pretty high. Mind you the character I auditioned for is a supporting role, so I’m assuming they want to cast the leads first and then do screen tests for supporting? Production is starting in the first week of October, and they want to have boot camp for a couple of weeks before production starts, is it safe to say that the role isn’t mine? Or what does it mean when they say that you’re still in the “mix” ? Like I’m moving to the next round of auditions, or they still want to decide?

What Shakespeare monologue suits me? I'm 23F. by summerfellxx  •  last post Aug 30th

I need a monologue that's 2 mins >. I'm a beginner actor soooooooo

Theatre: why am I not getting cast? by Lord_Maul  •  last post Aug 30th

Hi reddit acting community! Just a bit of background. I’m early thirties, reasonably and objectively good/pleasant looking, male, British, based in London. I trained at a top UK Drama school. White. 5’10”. Posh. I want to be upfront that I’m making this difficult admission to the subreddit not for sympathy but because I’d be really grateful if people could offer me their honest analysis. I’m not afraid of being self analytical. I’m sure people have asked the like before. What’s basically happening is that I’m getting called into some really good theatre auditions, for roles that are objectively excellent casting for me, the auditions are seemingly going well (directors actively engaging with my performance, offering compliments about how well I read/auditioned, chats being fun, fluid and relaxed) but I’m not getting cast. It’s really knocking my confidence, because obviously I’m led to believe I’m doing well. In terms of my work output, when it comes to preparing for auditions I’m fairly studious and I prepare at least a few hours each day before my audition. I practice with actor friends and, when I can, an acting coach. If 0% effort is “I don’t give a s**t about the role” and 100% is monk-like dedication to preparation, I hover at the very least around 60-70%; often higher. Besides the very obvious reasons- someone else did better, wrong look, wrong height, wrong skin colour, etc- does anyone have any other constructive theories as to why I’m not getting cast? Is it possible that I am personally rubbing people up the wrong way, for instance? Eg I had an audition yesterday and I’d prepared 12 pages of dialogue for it. I went in confident. The director barely spoke to me as I arrived, let me start the scene, and then barely spoke to me afterwards, then I left. Sorry for the biblical quantity of text to read. But I reiterate I’d be so grateful for any constructive criticism, opinions and feedback. I know that casting always contains subjective elements which are impossible to accurately affect, but nonetheless I want to do want I can with the elements I can control. Thank you!

Google Chromebook Commercials Voice Actress by Dirrdevil_86  •  last post Aug 30th

Does anyone know the voice actress who does the voiceover for the Google Chromebook ads on YouTube? I can't find the videos on YouTube, but they do pop up as ads. I don't care about the commercial itself or the laptop, but I have the actress's voice stuck in my head and I want to know who it is.

What does 'Posh actor' means? by SSREESSSD  •  last post Aug 30th

Who is a cheaper David Muller or Stephanie G for LA Headshot Photographers? by strongmaya18  •  last post Aug 30th

Hey fellow actors! I really want to take headshots with them but wanted to know if anyone knew of Los Angeles Headshot photographers like them that might be a bit cheaper. Thanks!

You've already memorized your lines. by Jonathan Daniel Brown  •  last post Aug 29th

So many new actors get intimidated by the process of memorizing, but the truth is that it is actually one of the easiest parts of the job, Rote memorization is the key...

The crazy thing about rote memorization techniques is how effective they are in such a short period of time. In one hour, one of my students memorized one of the longest monologues from A STREETCAR NAMED DESIRE. In 30 minutes, another memorized a 6 page scene from THE DEPARTED. I

Spend some time repeating your cues and lines in a monotone. You don't want to lock in performance choices while memorizing, so I can't stress the monotone enough. Repeat the line five times, put the sides down, and repeat again. Then move onto the next. Once that's memorized, go back to the top of the scene. Just keep working at it, one line at a time. Although the process is tedious and repetitive, you'll be astonished how fast your lines become second nature. And if you're struggling a bit, keep chipping away! You'll likely wake up the next morning completely off-book. And you won't even have to work that hard to do it!

Once you are completely memorized, the fun begins: When you don't have to think about checking your sides or cues, you get to really play and start focusing on the performance.

Headshot-Age Range-Character Type Post - Aug 29 by AutoModerator  •  last post Aug 29th

Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.

Is this a worthwhile opportunity? Opinions needed :) by torschlussspanik  •  last post Aug 29th

So an international actor, who is from my country, is currently directing their own film in my city. They have asked volunteers to be on set and to be extras as well (not paid). It is a small production team as well. Now I was happy to do it as most days were a couple of hours. I applied to multiple sessions and of course the one I got is an 11 hour day. I have nothing to do that day so it's not like I'm missing out on work, but it seems incredibly worrisome that I'd be out from 2pm till 1am without any payment! Should I be picky and ask for a shorter day? The reason I'm considering it is because it's an excellent networking opportunity (I assume, as I'll be able to chat with cast and crew) which is even more important in our tiny market. Meals will also be taken care of. They have sold it as 'seeing how a film crew works and seeing yourself on the big screen' but I am already familiar with this (degree in film). And then it comes down to if it's going to be worth even having extra work when acting is what I want to do. So far my experience is plenty of classes and student short films with a few more coming up in the next few months. Opinions wanted and thanks!

Any Type 1 Diabetic Voice Actors here? by LiveFromFLORIDA  •  last post Aug 29th

Looking to hire (and pay of course) a voice actor who has Type 1 Diabetes. I am a Type 1 Diabetic, 20 years in November. I'm working on a project about the insulin prices in America vs. the rest of the world. The culmination of this project will be my trip to Canada to buy that cheap insulin. Only need a few lines recorded: "(LiveFromFlorida)'s Insulin Project" "You're listening to (LiveFromFlorida)'s Insulin Project" "On this episode of (LiveFromFlorida)'s Insulin Project" "This episode of (LiveFromFlorida)'s Insulin Project is brought to you by"

Acting resources by finnegan7  •  last post Aug 29th

Are there any good books for creating stakes and building objectives as an actor? Or any good resource for helping that process of stakes, wants and objectives? Sometimes I struggle to think of a good word to describe my characters objective

GOT AN AGENT :) + THANK YOU GOD FOR EVERYTHING! by convictedheart  •  last post Aug 29th

Just got the email last night at 8pm that an agent is super super interested in working with me :) She sent me a client packet today, and a reality keeps dawning on me that God is so good. I have recently been very convicted this summer by God to foster a fiery passion for acting. Now, don't get me wrong, I did do a little acting here and there, but those were in my early teens..and I did it for the wrong reasons (e.g. wanting lots of $$ and wanting to be famous). I just wanted to write on here to give encouragement to my actors (especially my LA ACTORS YUSSS!) and to thank God for everything. WE GOT THIS YA'LL!

New free services for actors by Samantha Ford  •  last post Aug 28th

Hi everyone. We've been producing a lot of new services for actors, many of them are free to use, you can find a full list at: https://www.webforactors.com/services - but we're always open to ideas? How does it work? Some actor asked us for a list of acting podcasts, and boom: http://actorpodcast.org/ is born. So if you have any ideas, just reply to the comment or send me a message.

My latest podcast talks about how you can lose a movie role, emotional vocal work, & getting your mind right by Jennifer Lynn Warren  •  last post Aug 28th

Find the podcast here: 


https://podcasts.apple.com/us/podcast/how-you-can-lose-a-movie-role/id1457781004?i=1000447956859How you can lose a movie role


"The mind is everything. What you think, you become" -Buddha


Come from a place of an emotional, vocal point of view


Get the book on Amazon at http://bit.ly/HAGFilm


Hosted by Jennifer Lynn Warren


www.instagram.com/jenniferlynnwarren




For the show, go to


www.instagram.com/hollywoodactorsguide




Email me at hollywoodactorsguide@gmail.com

VA Required: Urban Fantasy Project by Ryinth  •  last post Aug 28th

We're a geeky urban fantasy series (think...Men in Black, but for magic stuff) - we relaunched our serial last year with a podcast, but our regular VA has had to take a break due to some personal issues, so I'm looking to supplement our output by getting a different voice actor for our short story/novella content. We're ideally looking for a female VA with a neutral US/UK accent - this project is basically recording audiobook chapters, so there's multiple characters involved. Our site is here: [https://ashandblue.com/](https://ashandblue.com/) Our existing podcast episodes are here: [https://www.stitcher.com/podcast/stormy-sto-helit/ash-and-blue](https://www.stitcher.com/podcast/stormy-sto-helit/ash-and-blue) The short story/novella content is usually between 8,000 - 20,000 words, and we tend to work on a per-chapter basis. (Ie, pay for the recording of one chapter at a time - as we're a low-budget operation, this helps us keep within our monthly operating costs). It's important to know we have a lot of queer characters and content, and I unfortunately know that's a deal breaker for some VAs. We also have a degree of sexual content (well, will do in the future, none of the ready-to-be-recorded shorts have much beyond a kiss or two). The rate is negotiable - I generally look to pay at the range of $70-120USD per finished hour (final invoicing is paid per minute).  Ideally, you will also be able to do some minor audio engineering work (placing music under certain pieces of dialogue, etc). Any questions, please let me know!

So I just joined an acting conservatory in New York. It’s my second day here and I get second thoughts sometimes. Any advice? by Imnachobear3  •  last post Aug 28th

So I just moved to New York last week and it’s been great going out and exploring my neighborhood. It’s only my second day of classes and I think maybe I should give it a month and asses how I feel. I miss my home a little but I’m getting the hang of nyc. I just enrolled for my 1st year at an acting conservatory and so far it’s been kind of boring and a little uncomfortable doing the exercises but I still participate no problem. The 2nd years keep saying they love it so much and they’ve changed drastically since being here as actors and people. The 2nd year kids do more camerawork and it looks so cool but I’m here doing basic acting exercises and games and movement/Suzuki classes I’m not that interested in. I sometimes question myself as to if this is the right move And if I should just train privately on my own and audition or not but I also keep having the attitude that I just gotta get through the small stuff first then I’ll be doing the fun camera work. Any advice ?

I'm so tired of the bitterness, negative egotistical attitude and DISCOURAGEMENT of "working actors" on this sub. If you can't offer any practical advice to people, how about you don't say anything at all? by aperfectcircle870  •  last post Aug 28th

just because a certain school / strategy / idea didnt work for YOU, doesn't mean it won't be a good thing for somebody else. I know from personal experience. There was a thing in NYC that everybody bashed on this sub, guess what? it got me a GREAT manager at the time. because this isn't a one-size-fits all thing. so stop discouraging people from having OPTIMISM about things that might actually work for THEM, just because it didn't work for you. instead, how about sharing what DID work for you? if you don't, its probably because you come from a negative place, and you want to "keep it for yourself", instead of realizing the path to success is working with EVERYBODY and anybody, and lifting each other up, all of us, because we are not competition, everybody brings something different to the table. you think just becuase you have been grinding for years makes you better than other people, it doesn't, it probably just makes you bitter. everybody bring something different to the table. what works for one person might not for another. etc. i'm realizing that people with the best attitudes, that have NO EGO, and don't think they are "better" than anybody else, are the ones that succeed. so that's what i'm focusing on. peace.