We have found 21,023 posts across 4 actor forums:
Huntington Theatre '26 EPA by bwayfilmtv333 • last post May 9th
View from the bridge EPA off Broadway by HerrFritz • last post May 8th
Auditioning, Networking, and Talent Agencies by Jason Raymaker • last post May 8th
When it comes to booking acting work, what has been a tactic that has worked best for you? Are there any other ones than these three that you have done? I know for me it has been a combination of the three over the years. But Auditioning seems to be the one that works best for me.
I'd be happy to read and practice any scripts that people would have in development. by Jaela Miller • last post May 8th
I would love to read and practice any scripts that anyone would have available, if anyone needs actresses please do not hesitate to let me know!
Thanks in advance everyone
Passions (not the soap opera) by Suzanne Bronson • last post May 7th
We actors are passionate people. We throw overselves into our creative work sometimes to our own detrement. We are interested in a lot of things. I would like to know:
What are you passionate about outside of acting?
Me, I am passionate about history. Especially US History. I like to read historical fiction and watch documentaries. Then test my knowledge at trivia night. I am also passionate about nature. Living in the American Southwest, there are tons of outdoorsy things to do at any time of the year. And beer. Let us not forget about beer. I am very passionate about trying different beers everywhere I go. Haha
I need a little help by Faraj Jaballa • last post May 6th
Hi , I have audition and I need actress to do a reading script , we can do the reading on zoom , it is 11 lines that's all , I appreciate your consideration .
Discovering stage 32 really makes me happy by John Douglas • last post May 6th
am really happy to be here.wish I can connect to up coming actors to bring them up,and direct them on how to be a good actor and actresses, bring life into the movie industry.
Start my carrer by actinglover101 • last post May 5th
Looking to Gain Production Experience by Jose Harmon • last post May 5th
Hey everyone,
My name is Jose Harmon. I’m based in Los Angeles and currently looking to gain more hands-on experience in production.
I have on-set experience as a Production Assistant along with acting work across television, streaming, and commercial projects. I’m looking to continue building by getting involved in production in any capacity, whether that’s PA work, assisting on shoots, or supporting a team where needed.
Long term, I’m working toward acting and directing, so I’m focused on learning production from the ground up and being consistently involved on set.
I bring a strong work ethic, adaptability, and a background in operations and team coordination, so I’m comfortable in fast-paced environments and ready to contribute.
If anyone has upcoming projects or opportunities, I’d appreciate the chance to connect.
Thank you,
Jose Harmon
Hoping to connect with up coming actors and actresses by John Douglas • last post May 5th
this is me officially, known as the rock,hope am welcomed to stage 32
The Long Game: What Career Longevity Actually Looks Like for Actors by Laura Hammer • last post May 5th
Every actor who has built a lasting career has one thing in common — they kept showing up after the moments that would have made most people stop. Not just the rejections, though there were plenty of those. The callbacks that went nowhere. The roles that went to someone else. The seasons where the auditions dried up entirely. Persistence in this industry is not a personality trait. It is a daily practice, and it looks different for everyone who does it.
Career longevity rarely comes from a single breakthrough moment. It comes from the accumulation of small, consistent actions over years — taking the class, building the relationship, saying yes to the smaller project that sharpens your craft, staying connected to the community even when you feel invisible in it. The actors who are still working twenty years from now are the ones who treat their career like a long-term investment rather than a lottery ticket. They develop their skills across formats. They build genuine relationships rather than transactional ones. And they find ways to stay creatively alive during the quiet periods rather than waiting for the industry to notice them.
The industry will test your commitment more than once. It will ask you whether you really mean it. The answer you give — not in words, but in how you spend your time and energy when nobody is watching — is what determines how long and how deeply you get to do this work.
What has kept you going during the hardest stretches of your career? We would love to hear it in the comments.
Great Acting in a Galaxy Far, Far Away... by Doug Kayne • last post May 4th
As you've no doubt heard, today is May the Fourth (be with you...), recognized as Star Wars Day. While the movies and TV shows are occasionally nitpicked (mostly unjustly so) for some of the acting choices and performances, there are some incredible performances as well.
George Lucas lobbied (unsuccessfully) for Frank Oz to receive a Best Supporting Actor Academy Award for Frank Oz, due to his nuanced performance as Yoda...but it was denied because "puppetry wasn't an art" (NOT my words!). And, I've mentioned previously about Joonas Suotamo's gut-wrenching reaction as Chewbacca to the death of Leia in Rise of Skywalker. And, Sam Witwer has been doing amazing work as Maul in his animated series.
We have eleven (soon to be twelve) theatrically-released movies, quite a number of episodic shows (both live-action and animated), a couple of Ewok movies, and a holiday special that is usually ignored. Lots of stuff to choose from. What acting performances in any of these stood out to you as being stellar (pun intended) and why?
Your Audition Mindset Is Preventing You From Booking—Do This Instead by Aaron Marcus • last post May 4th
Your Audition Mindset Is Preventing You From Booking—Do This Instead
https://youtu.be/yDaAXBmZ0Bs
Many talented actors kill their audition because of the way they mentally prepare before their read. Watch this video: https://youtu.be/yDaAXBmZ0Bs
and learn how to best prepare so CD’s and directors can see your best performance.
Have you ever hurt your audition because you were thinking how great a booking could be for you and your career? If so, share your experiences with us – here and on the channel so we can learn from you.
Actors Thoughts by Cice Rivera • last post May 3rd
As a clinician and storyteller, I’m deeply interested in how film can portray the psychological realities behind addiction, anxiety, and human behavior.
Not just the surface-level struggle, but the internal conflict, the patterns, the “why” behind it all.
There’s a gap between clinical truth and what we often see on screen.
I’m here to help bridge that gap through writing and directing.
If you’re working on projects that explore mental health, human behavior, or complex character development—I’d love to connect. What are your thoughts on acting for these types of stories?
It’s Done! SAG-AFTRA & Studios Reach New (& Bigger) Deal by Amanda Toney • last post May 2nd
SigPro Studios Season by Notwandamaximoff • last post May 2nd
AI Actors Now Ineligible for Oscars. What This Means for YOU as Performers by Sandra Correia • last post May 1st
Big news from the Academy this week, and it directly affects actors more than anyone else.
The Academy has officially ruled that AI‑generated actors and AI‑generated performances are not eligible for Oscars. Only real human performers giving real, consented, on‑set performances can qualify for acting categories.
This comes after a wave of AI‑driven experiments in recreating actors’ likenesses, including a recent public demo of an AI version of Val Kilmer. The Academy clearly felt the need to draw a line.
What does this mean for actors?
1. Your craft is being protected.
The Academy is saying that acting is not just a “look” or a dataset, it’s a human experience. Emotion, presence, instinct, vulnerability… these can’t be replicated by a model.
2. Consent matters.
They were very clear: a performance must be given by a human with their consent. This is a huge step in safeguarding actors’ likenesses and preventing unauthorized digital doubles.
3. AI can be a tool, but not a replacement.
The ruling doesn’t ban AI from filmmaking. It just says AI cannot stand in for an actor. Motion capture, VFX, digital makeup, all still fine. But the core performance must come from a human being.
Read here:
https://www.france24.com/en/culture/20260501-ai-actors-and-writers-will-not-be-eligible-for-oscars-academy-rules
We’ve all seen the conversations about AI replacing background actors, scanning performers, or recreating faces without permission. This decision doesn’t solve everything, but it’s a strong signal that the industry still values the human heartbeat behind a performance.
I’m curious how this lands for everyone here:
Do you feel this ruling gives actors more security, or does it raise new questions about where AI fits into performance work?
Let’s talk about it. This is a big moment for your craft.
On-Set Support by Jordan Butler • last post May 1st
Happy to announce that the Steady Hands website is live for the summer! I’m based near Atlanta/Trilith and wanted to share
I offer on-set emotional support + wellness for film and production environments — something designed specifically for the pace and intensity of sets.
Think:
• grounding support during heavy scenes
• a reset space between takes
• help managing stress/overwhelm during long days
It’s something I felt was really missing in this space, especially with how much production is happening here now.
If you’re in the industry locally (or working on something upcoming), I’d love to connect or just be a resource!
steadyhandstherapy.com
Laura Dern replaces Helena Bonham Carter in The White Lotus by Amanda Toney • last post Apr 29th
Two totally different actors….what do we think?
Opposing Views by Suzanne Bronson • last post Apr 29th
How do you reconcile your personal beliefs with a charaacter who holds opposing views?
This is a good one for writers too. How do you write characters with a different value system than yours?