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The 7 Problems Every Screen Actor Faces by Andrew Higgs  •  last post Apr 13th

Spotlight lists over 90,000 performers. Only two per cent make a living from acting. The difference between the two per cent and the ninety-eight per cent is rarely talent. It's whether they solved seven specific problems in the right order — from the closed loop that stops you getting started, to the 280 unpaid hours a year most working actors spend on self-tapes, to the identity shift from artist to professional that most actors resist making. I've mapped all seven from nearly forty years directing television drama.

https://thealchemyofscreenacting.substack.com/p/the-7-problems-every-screen-actor

My book The Alchemy of Screen Acting: Building a Sustainable Career in 21 Steps launches soon — sign up here for priority access and an exclusive launch discount: https://preview.mailerlite.io/forms/2253823/184195269727880371/share

Interview with Dan Martin Roesch by Dan Martin Roesch  •  last post Apr 13th

Dan Martin didn’t arrive at acting; he grew into it, through emergency medicine, martial arts, and the studied calm of a man who learned that the most powerful presence rarely announces itself. @imdb https://www.imdb.com/name/nm6401783/ @vocal.media Interview worth reading https://vocal.media/interview/from-crisis-to-camera

Hamlet by Michael Chabler  •  last post Apr 12th

Thoughts?

https://vimeo.com/1182466218

John Proctor is the Villain @ Milwaukee Rep by asdreamsaremadeon  •  last post Apr 11th

Robert Pattinson Panicked on His First Call with Zendaya by Pat Alexander  •  last post Apr 9th

Zendaya, Robert Pattinson, Alana Haim, and Mamoudou Athie ponder the worst things they've ever done, playing "couple chemistry", and share their favorite wedding movies, in this interview for 'The Drama'! 


(https://www.youtube.com/watch?v=wBPA9uw7WGM)

Interview with Dan Martin Roesch by Dan Martin Roesch  •  last post Apr 9th

@IMDb https://www.imdb.com/name/nm6401783/ Interview https://medium.com/@noamfriedlander/the-man-who-moves-before-the-camera-does-afa7ab46160e

Signature Theatre “Secret Garden” by IsThisThingOn  •  last post Apr 9th

Emotion vs. Emotional Depth: Why they aren’t the same thing. by Timothy Miller  •  last post Apr 8th

One of the most important lessons I’ve learned in my craft is that Emotion and Emotional Depth are two distinctly different tools in an actor's kit.

Here is how I’ve started distinguishing them in my prep:
Emotion is the "Weather" (The What): It’s the immediate, situational reaction to a beat. Anger, joy, or a tear—it’s the surface-level response to a stimulus. It’s what happens to the character in the moment.
Emotional Depth is the "Climate" (The Why): This is the character’s capacity for feeling. It’s their history, their reservoir of past experiences, and their "inner landscape." It’s the weight they carry into the room before a single line is spoken.
Why the distinction matters:
You can play a "sad" emotion perfectly, but if there is no depth behind it, the performance feels thin. Depth is what makes a silent close-up feel heavy. It’s the difference between a character who is crying and a character who is trying not to cry because of a lifetime of holding it in.
One is a reaction; the other is a state of being.
How do you all build your character’s "reservoir" of depth before you even step on set? Do you focus more on the immediate beats or the long-term history?

Emotional Truth in Performance by Ana Rodrigues  •  last post Apr 8th

I believe the most powerful performances come from emotional truth. When an actor fully understands the character’s inner world, every reaction feels natural and authentic on screen.

I'll go to LA, how can I found casting ? by Delphine Herrmann  •  last post Apr 8th

Hey everyone! I'm in Los Angeles for six months. I know it's short, but it's the perfect opportunity to meet producers (I'm also a director) and maybe land some roles. Could you help me out? I've never been there before, so do you know of any casting platforms or places I should go? I'm a bit lost. Thanks in advance for your help.

Is Your Acting Resume Working as Hard as You Are? by Laura Hammer  •  last post Apr 7th

Your resume is almost always the first thing a casting director sees before they ever see you — and in an industry where decisions happen fast, it needs to work hard on your behalf from the very first glance. A great acting resume isn't just a list of credits. It's a carefully curated document that tells a story about who you are as a performer, what range you bring, and why you're the right fit for the room you're trying to get into. Format matters as much as content — clean, readable, and tailored to the type of work you're pursuing.


One of the most common mistakes actors make is treating their resume like a record of everything they've ever done rather than a strategic marketing tool designed for a specific audience. A resume sent to a commercial casting director should feel different from one going to a regional theater, a network drama, or an independent film producer. That doesn't mean fabricating experience — it means leading with the credits that speak most directly to the opportunity in front of you, and trimming anything that creates noise or confusion about your type and range. Your most relevant work should always live at the top.

Training and special skills are two of the most underutilized sections on an acting resume, and they're often where a casting director's eye lingers longest. Strong training signals that you take the craft seriously and are coachable — two qualities that matter enormously at every level of the industry. And a well-curated skills section can be the unexpected detail that makes you stand out for a role you wouldn't have been considered for otherwise. Think carefully about what you put there, because the right combination of credits, training, and skills tells a casting director not just what you've done, but what you're capable of.
What's one thing about your current resume that you've been unsure about — whether to include it, where to place it, or how to frame it — and why?

Spring Break by Suzanne Bronson  •  last post Apr 7th

Happy April fellow actors!


 I thought for this week I would ask a question, not about acting or the business.  Let's take a Spring Break and not talk about work!

So tell me thespians:
How do you manage your downtime and what keeps you creative?

SAG-AFTRA Negotiations Are Resuming… by Ashley Smith  •  last post Apr 7th

There’s an important update happening right now that directly affects actors across the industry. Read about it here: https://deadline.com/2026/04/sag-aftra-resumes-2026-talks-with-amptp-date-1236782965/ 

SAG-AFTRA is heading back to the negotiating table with the AMPTP on April 27, picking up talks that began earlier this year. The conversations paused while the WGA worked through their deal, but now things are moving again, and sooner than expected.

There are a few big factors in play here. One of them is the ongoing conversation around contract length and financial support for union health funds, which have been under pressure. At the same time, AI protections are still a major sticking point, and it sounds like that’s going to be a key piece in whether a deal gets done.

With contracts set to expire on June 30, there’s a real sense of timing and urgency around these negotiations. And with the DGA stepping into their own talks soon, what happens here could have a ripple effect across the entire industry.

For actors, this isn’t just background industry news. These decisions shape what protections exist around your work, your likeness, and the future of how performances are created and used.

What are you paying the closest attention to as these negotiations continue? Is there something specific, like AI, compensation, or overall industry stability, that’s been on your mind lately?

Are Audition To Booking Ratios Important? Careful – The Numbers Can Deceive by Aaron Marcus  •  last post Apr 6th

Are Audition To Booking Ratios Important? Careful – The Numbers Can Deceive

https://youtu.be/6x-h28i9hrw

JOIN THE CONVERSATION
Do you track your audition-to-booking ratio? Has it helped you stay motivated, or has it caused unnecessary stress? Share your experience below so we can all learn from each other! 

Any chance for a totally unexperienced person in acting? by Murat Ersahin  •  last post Apr 5th

Hello,


In every kind of art, I believe in that talent is a first step to perform, then it can be shaped by education. But sometimes some people thinks that they have a talent for something but unshaped way. Because there was no chance to jump on that stage in their life. Just like me...

I always thought that I have a talent in acting but I had no chance to prove or test that in front of professionals or agents. İt's becoming just like a sneeze sometimes and you cannot keep inside of you. Sometimes you imitate one of your favorite actors favorite role, sometimes(if you have a creative mindset) you are acting your own little story. Don't worry, only the times that you are with yourself!

My question is, there is a chance for these(and my) kind of people to take their chances at least one time in their lifetime? If there is, I would like to take that chance for myself.

Thanks in advance to all of the contributors to this topic.

The Actors Copilot Blog is live by Tracey Collis  •  last post Apr 4th

https://theactorscopilot.com/blog

The Producers Club by Salustiano Berrios  •  last post Apr 3rd

I just auditioned at the Producers Club in NYC! First time auditioning for theater, and if I get it, first time ever performing for theater! Very excited…!!! Any advice for theater acting as opposed to screen acting?

We have amazing 30% Cash by Rungrawee Jansukree  •  last post Apr 2nd

Hi everyone! I'm a Producer from Thailand

Substantial Female Roles by Aaron Newman  •  last post Apr 2nd

For the female actors - what type of screen roles are you wanting to play. I have two scripts that feature strong female leads. One is a ruthless digital fixer, and one is a 9/11 survivor who suffers a concussion and a distorted reality while travelling through NYC. I have always liked female roles more than male roles. I am interested if these roles I have written are of interest. Let me know yay or nay on the roles I have written.