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Elle Fanning on Acting as a Catalyst for Emotion in Sentimental Value by Ashley Renee Smith  •  last post Sep 8th

What happens when you step into a character who isn’t the center of the story, but the spark that sets it ablaze?


Elle Fanning discusses her role in Joachim Trier’s Sentimental Value as Rachel, a character who becomes the unintentional catalyst for a fractured family’s emotional reckoning. Fanning shared that the role felt deeply personal and cathartic, allowing her to pour parts of her own experience into Rachel’s misplaced presence in the family drama.

Acting alongside Stellan Skarsgård, Renate Reinsve, and Inga Ibsdotter Lilleaas, the film explores a director’s attempt to mend his broken family, while reckoning with buried emotions and generational wounds. Reinsve’s performance as a sister still carrying childhood weight speaks to the quiet complexity actors must bring to roles steeped in unspoken trauma.

This film is a powerful reminder that the most compelling characters are often the ones navigating silence, grief, and miscommunication, not with big speeches, but through subtle internal shifts.

Watch the video here: https://deadline.com/video/sentimental-value-stellan-skarsgard-toronto-studio/

As an actor, how do you approach characters who are emotional triggers within an ensemble, those who spark conflict without always understanding their own role in it?

Introduction - Ponce Deleon by Ponce Deleon  •  last post Sep 8th

Hi everybody on Ponce Deleon” I’m an actor, writer and producer. I’ve been with the community for a few months now. However, this is my first time introducing myself here on Stage 32. I’m a part of the Sundance Writers Collab Community and UK based Actors Forum among others. So here’s a bit of info about me below. I’d love to connect with you. Please follow me on socials and reach out to connect! I look forward to meeting and collaborating with you!

How does the set influence your acting? by Alexandra Stevens  •  last post Sep 8th

Just read RB's Coffee & Content blog which contains a video essay about Lemony Snicket’s A Series of Unfortunate Events, spotlighting the massive effort to create a tactile, practical world on set. It talks about how they found a disused factory and turned it into a whole world with different sets and dug a massive water tank to film the water scenes. It made me think how cool and fun that would be to film in as an actor compared to a film set where most of it is added in using CGI afterwards.

Here is the blog: https://www.stage32.com/blog/coffee-content-building-worlds-breaking-in-4216

It got me thinking,  how does the type of film/play set  affect your acting .?How does it impact the extent to which and how you use your imagination? Which would you prefer, to be on a purpose built world inside a studio or on a set with minimal props?

Can You Work as a Local? by Brandon Keeton  •  last post Sep 4th

Yeah, we've all heard it.  "Can you work as a local?"  In other words, we're not paying for any of your housing or gas etc.  I am in the fortunate situation that I have family and friends I'm close enough to stay with, in every major market except, for some reason, Chicago.  


The majority of my acting work has been in New York, Atlanta, or here, where I actually live, in Central Pennsylvania.  But I have worked in California, Texas, Louisiana, Ohio, Massachusetts, Florida, Alabama, and a whole host of other places. 

I'm also retired (twice!) and love to travel anyway, so for me, it's never really been a big deal to scurry off on a moment's notice (preferably 48 hours) to another part of the country for a one day job, enjoying the drive.  But I'm curious for everyone else NOT in my position.  How far will you go for a gig?  

Advice Please - Explosive Emotions at Play rehearsal by Ronika Merl  •  last post Sep 4th

I’ve recently been cast as a replacement in a play (I'm in 2 plays at the moment, one my own, and one... this). The rest of the cast and crew are Brazilian, and they’ve already been rehearsing for about two months. I don’t speak Portuguese, so I’m often in the dark when conversations switch away from English.


At my first rehearsal, things escalated between the director and one of the actresses (who is also a producer and whose idea the play was based on). The director kept giving her notes—apparently the same ones he’s been giving for weeks—and she became more and more upset. Eventually, they were shouting at each other in Portuguese for nearly 40 minutes, often pointing at me while arguing. They occasionally switched to English, and at one point the director slammed the table, spilled drinks everywhere, and walked out saying, “If you don’t take my notes and stop behaving like this, I’m done.”

After he left, the actress continued arguing with the assistant director for another 20 minutes. I’ve known her for years—she’s very confident and self-assured—so I think this was more of a creative clash than a personal issue.

For context:

I stepped in mainly as a favour after the previous actress dropped out.

I’m not being paid and also cover my own petrol (1.5 hours each way to rehearsal).

I’ve been getting very positive feedback, so I don’t think I’m the problem here.

I’m trying to figure out whether I should stay in this production or step away. The rehearsal environment feels very tense and unprofessional, but I also don’t want to leave them in the lurch. Has anyone been in a similar situation? What would you do?

A Tribute of Thanks.... Your favourite Acting tutors are...? by Ryan OL  •  last post Sep 3rd

Tribute to a Grand Master in the Craft of Acting… Peter Frisch... TheFrischApproach.com... https://youtu.be/a2Dm2HdKASg

by Actor RYAN OL... https://www.imdb.com/name/nm10454348/

Will any fellow Actors be at Toronto International Film Festival this year? by Brittany Christine  •  last post Sep 2nd

If so message me :)

How does your attachment styles affect your acting process? by Alexandra Stevens  •  last post Sep 2nd

Happy Tuesday! I've been considering the above question for a workshop proposal and got interested to see if you have a view on this too. It may of course not be of interest at all. As you likely know we can he securely attached, anxiously attached, anxiously and avoidantly attached or have a disorganised attachment style. This style affects how we relate not just romantically but with people in general including our scene partners, acting teachers, directors, crew etc. Do you have an awareness of how (if at all) your attachment style shows up in your acting process?

For me, having an avoidant attachment style, I notice there is a part of me that fears being 'submerged'/overwhelmed by the emotions of the character i'm playing. Just noticing this has helped and it's still a work in progress

What's the Difference Between an Actor's Residual and Foreign Royalty Checks by Aaron Marcus  •  last post Sep 1st

What's the Difference Between an Actor's Residual and Foreign Royalty Checks


Residuals VS Foreign Royalty Checks - they're not the same thing, and every working actor should know the difference. 

In this video, https://youtu.be/8gHEculmXCc I break down exactly how these payments work differently, when you get them, and what they mean for your acting income. 

Have you ever received a residual or a foreign royalty check? If so, let us know about the project and other details about the payment on the channel so we can learn from you.

#residualchecks

#residualchecksactors

#whatareforeignroyaltychecks 

#whatareresidualchecks 

#actingresidualchecks

Want an IMDb actor credit? by Randy Charach  •  last post Sep 1st

I have a limited number of credits to give away for a feature film. In return, I would like an honest Google review.

Once a Year Ritual by Brandon Keeton  •  last post Aug 30th

Hey everyone! 

  There is something that I do once a year.  It's usually like clockwork around Christmas vacation but I decided to knock it out a little early this year and share it with you as well.  
  
  Many of you have seen this before (as well you should, if you are a TV/Film Actor) so it's old hat, so to speak.  But those that are new to the platform, I'd like to share this class from the great Michael Caine.  
  
  Let me know what you think!

https://www.youtube.com/watch?v=bZPLVDwEr7Y&t=10s

What is you experience with different dialects or accents for a role? by Suzanne Bronson  •  last post Aug 29th

Actors- have you ever had to learn an accent for a role? If so, how did you learn it? I once had to learn a German accent for THE BEAMS ARE CREAKING. This was last century, so I had a cassette with a person teaching German accent, that I would listen to in my car during my commute. 

The Pitt: What Actors Can Learn from This Emmy-Nominated Series by Ashley Renee Smith  •  last post Aug 29th

If you haven’t been following The Pitt on HBO Max, now’s the time to catch up. This gritty, grounded medical drama just earned 13 Emmy nominations, and the behind-the-scenes process is a masterclass in actor collaboration, preparation, and presence under pressure.


In this Deadline article, the cast and creative team, including Noah Wyle, Shawn Hatosy, and Katherine LaNasa, open up about the emotional depth of the show, the power of being present on set, and how leadership, tone-setting, and intention impact every performance:
https://deadline.com/2025/08/the-pitt-noah-wyle-passion-series-success-1236490890

Highlights include:
 • Why emotional continuity and vulnerability matter more than stardom
 • How actors tackled intense prosthetic work and emotional trauma authentically
 • The importance of trusting your scene partner, even with minimal prep

Whether you’re early in your career or a seasoned actor, this article is full of gems about leadership, professionalism, and building a character in a high-stakes environment.

Question for the Lounge:
What’s the most impactful set experience you’ve had, where someone’s leadership or presence made a difference in your performance?

Alan Rickman's advice to young actors by Hannah Augenstine  •  last post Aug 28th

I am not an actor however, I will never not feel awed when listening to this man talk about the craft. I only wish I'd had the opportunity to pick his brilliant mind while he was still here.

(https://www.youtube.com/watch?v=kdQRdJsBc-A)

Join Us LIVE Today for the FREE Stage 32 Community Open House! by Ashley Renee Smith  •  last post Aug 27th

Have questions about how to get the most out of Stage 32?


TODAY at 12:00 pm PT / 3:00 pm ET, we’re hosting our FREE Community Open House Webcast—a live event designed to help you navigate everything Stage 32 has to offer.

Whether you’re looking to grow your creative network, explore education or script services, or figure out how to make the most of the Writer’s Room, contests, pitch sessions, or lounges—this is your chance to get answers in real time.

If you have questions you’d like answered live, post them at the below link:
https://www.stage32.com/lounge/screenwriting/Official-QandA-Thread-August-Stage-32-Live-Community-Open-House-Webcast 

And if you haven’t registered yet, it’s free to attend! If you can't make it live, registering will ensure that you get the full recording to watch in your own time:
https://www.stage32.com/education/products/stage-32-s-august-community-open-house  

Hope to see you there!

Denzel Washington, A$AP Rocky & Spike Lee Have an Epic Conversation by Pat Alexander  •  last post Aug 26th

What does Denzel Washington, A$AP Rocky and Spike Lee have in common? Aside from growing up in the big smoke of NYC, the trio star in Spike Lee’s latest film Highest 2 Lowest. Watch as they talk family roots, A$AP’s throwback with Denzel’s family Christmas and Denzel’s competitive riff from He Got Game.


(https://www.youtube.com/watch?v=WV2EpELLUuo)

What are your favorite books written by Actors atm? by Brittany Christine  •  last post Aug 26th

The last one I read was Mathew McConaughey's "Greenlights" but am looking for another to enjoy! Please comment with any rec's :)

The Best Audition Advice from Casting Directors by Amanda Toney - Next Level Education  •  last post Aug 26th

https://www.castingnetworks.com/news/the-ultimate-guide-to-audition-advice-from-casting-directors/

August Community Open House – This Wednesday, August 27th! by Leonardo Ramirez 2  •  last post Aug 25th

Our August Open House is happening this Wednesday, and it’s completely free for any new or current Stage 32 members to attend! This is a fantastic opportunity for you to learn how to get the most out of the platform, ask questions live, and take part in a posting challenge where one winner will receive a free Stage 32 webinar.

Even if you can’t attend live, you can register to receive the full recording on demand.

Here’s the link to sign up: https://www.stage32.com/education/products/stage-32-s-august-community-open-house

Just Traw a Rock for a.. for a Psychologic Horror idea by KiWilliam 13031996  •  last post Aug 25th

"A pragmatic farmer dismisses a bat bite, only to descend into a terrifying maelstrom of paranoia and rage when a visiting doctor identifies the early signs of rabies. Forced to confront a diagnosis that is a death sentence, he becomes the subject of an intimate and harrowing human drama. This is a psychological horror that charts one man's devastating descent into madness; a character study on fear, loss of control, and mortality.

The protagonist's performance would be essential. With the right lead (a Jake Gyllenhaal type for his intensity), this could really hit cult status.
Think the psychological breakdown of The Shining meets the visceral body horror of The Exorcist, but grounded in a terrifyingly real and clinical scenario.
The logline is solid, I'm weaving the web of the story. Right now, I'm just testing the waters with the core idea. What are your first thoughts?"