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7 Huge Demo Reel Mistakes That Make Casting Directors Click Away by Aaron Marcus  •  last post Oct 27th

7 Huge Demo Reel Mistakes That Make Casting Directors Click Away

https://youtu.be/p-BbRpTCMYk

Do you have a demo reel? If so, please share it here and let us know what clips you used and how you created the reel, so we can learn from you.

Do you wait for the perfect conditions before diving into a project, or do you leap in and figure it out along the way? by Alexandra Stevens  •  last post Oct 26th

Just finished reading Coffee & Content and watching the video documentary about the making of the visual effects for 'bullet time' in the film, The Matrix. It took over a year of experimenting for just ten seconds worth of film. Hearing about that and about how long it took the directors to get anyone interested in making the film is inspiring. 

So my question to you is, do you ensure you work is of a very high standard before putting it out there or do you believe that it is more important to get your work out there unpolished and it will have impact anyway? Due to my own time constraints, i learn towards 'good enough will do' so let's just do the thing.
Here is the blog with the video Watch & read: What The Matrix Can Teach You About Persistence, Innovation, & the Power of Starting Small

What are your boundaries when relating with fellow actors on-set? by Alexandra Stevens  •  last post Oct 24th

Hi friends. So I just read a People magazine interview out today with Allison Williams. She recently got married to Alexander Dreymon. They met on the set of the 2020 movie 'Horizon Line'. She says that by the time she decided to start dating him she had seen many different sides of him; grumpy, hungry and exhausted. She says seeing him at 4am after and 18hour shooting day gave her valuable knowledge about his character.

Made me wonder what your boundaries are (or not) around on-set dating. Do you think it's ok or best to keep things entirely professional? And is it really possible to get a good sense of someone on-set or is there a possibility we are falling for the 'fantasy' of the person aka their film character rather than the real person?

Personally i have never had to make that decision about whether an on-set relationship should develop into more however I have found myself falling for (in an unrequited way) an acting peer in a previous training where it was definitely the case that I was swept along by the storyline we were acting out. Let's just say i came back down to earth with a bump after the training ended and we went our separate ways.

Here is the article

https://people.com/allison-williams-shares-complexities-of-falling-in-lo...

Can this actor fit the villain? by Dwayne Williams 2  •  last post Oct 23rd

Hey Acting Lounge, I’m looking for the best qualities to bring a complex villain to life. The role is Kaizu Shen, a calm but calculating figure who betrayed his tribe and now runs an underground arena empire called the Hollow Network. I’ve been considering Mark Dacascos for the role — his physicality and intensity caught my eye.


Does he fit the energy and depth this character demands?

15 Minutes of Ethan Hawke Dropping Gems on a Subway by Pat Alexander  •  last post Oct 22nd

Actor, writer, and director Ethan Hawke (Before Sunrise, Training Day, Dead Poets Society) rides the subway with Kareem Rahma for a raw conversation about art, fame, and what really matters. He breaks down why chasing money ruins creativity, why fame is a trap, and why true artists make work for the love of it, not for applause. Along the way, Ethan reflects on The Beatles, humility, and the idea that the real miracle isn’t walking on water, it’s walking at all.


(https://www.youtube.com/watch?v=mmmVUOsubbs)

Tick tock, tick tock... by Brandon Keeton  •  last post Oct 22nd

This literally just happened.  I had a callback audition this morning via Zoom.  The instructions were to show up 15 minutes early and expect to stay 15 minutes after, in case they were running early or late. 


So there I was at 10:30am for my 10:45am callback.  Then 11:00 came and went.  Then 11:15 came and went.  Then 11:30 came and went.

I was in the middle of composing an email to my Agent, telling her that if they can't keep an audition on schedule, that there was no telling what set was going to be like and that I was going to drop this one.  Just then, however, they clicked in and I got to do the audition.

However, if they hadn't clicked into the room (at 11:50am mind you), that I was out the door.  I've got things to do too and if you can't be respectful of my time, I can't work with you.  This is true when I put on my Director/Producer hat as well.  If I'm there on time, so you should be too.  It's just common courtesy.

What do you think?  Let me know in the comments.


Actor qualities by Suzanne Bronson  •  last post Oct 21st

This is a question for actors, acting coaches, and possibly even directors. What do you think is the most important quality for an actor to possess? I am interested in hearing from those who have worked with a lot of actors, who  have had to manage personalities, especially. 


For me, I think the most important quality for an actor to possess is being a good listener. Thoughts?

Training Films Are Great Jobs For Actors by Aaron Marcus  •  last post Oct 20th

Training Films Are Great Jobs For Actors

https://youtu.be/lRzN_aXazTs

Have you ever worked on a training film? If so, what was the project about and how did you get the job?

Share your information here so we can learn from you.

Big apple film fest by Phil Edwards  •  last post Oct 19th

communication

Table Read Actors Needed by Ron Jackson  •  last post Oct 17th

I am looking for a few actors for a table read in Pasadena, on October 26 from 10 AM to 2 PM.  I'll have light snacks.  $50.00. This will be my fourth feature, all distributed. You'll read a character and then offer feedback.  It is a chamber piece and a psychological thriller. Title: FACES.  Log Line: On the night of Maxwell Thorn’s 49th birthday, his closest friends gather to judge his fate—only to find that memory is cruel, betrayal runs deep, and forgiveness may be beyond reach …while something darker watches, waits for Maxwell to pay for his past. 

 Email me at ronj905@outlook,com

Alex Bar: Sydney’s Rising Young Actor Making Waves in the Global Film Scene by Alexx Bar  •  last post Oct 16th

Sydney, Australia – October 2025 – In an entertainment world often driven by quick fame, Alex Bar is emerging as a standout talent defined by depth, dedication, and genuine artistry. The Sydney-based actor has earned early recognition for his emotional range and natural screen presence — and industry insiders hint that he’s already attached to a major new project currently under wraps.


From his earliest performances, Alex showed an instinctive connection to storytelling — approaching every character with curiosity, empathy, and heart. Directors describe him as “disciplined, grounded, and remarkably intuitive,” while acting coaches highlight his commitment to craft and his ability to bring authenticity to every role.

“I don’t want to just act — I want to understand,” Alex says. “Every character has a heartbeat, a story that deserves to be told honestly.”

Alex’s work continues to evolve, spanning both dramatic and comedic genres, with an exciting career trajectory that’s beginning to attract international attention. His upcoming endeavors promise to showcase even greater depth, solidifying his place as one of Australia’s most promising young actors.

With his grounded nature, professionalism, and a passion for human connection through performance, Alex Bar represents the next generation of talent ready to make a global impact.

About Alex Bar

Alex Bar is a Sydney-based actor known for his emotional honesty, range, and dedication to storytelling. Trained across both dramatic and comedic performance, Alex brings sensitivity and depth to every project. He continues to collaborate on new screen and stage productions in Australia and abroad.

"Too tall & too kooky" was how the late Diane Keeton was described by a casting director in the late 1960s by Alexandra Stevens  •  last post Oct 16th

It was 5 days ago that she died. I enjoyed reading this obituary about her life as an actress. https://www.theguardian.com/film/2025/oct/12/diane-keaton-obituary


Which was your favourite film that she acted in? 

What are the most outrageous things people have said to you about being an actor, BREAK UP EDITION I'll go first: by Brittany Christine  •  last post Oct 16th

The guy said, 


1) "I think you need stability in your relationships because your whole life is in the unknown as an Actress" (Actually sir, I'm pretty sure no woman wants an unstable relationship with her boyfriend, in fact I'm certain I'd still want a secure relationship even if I was an accountant)

2) during a heated argument: "is this an actress thing because you're being dramatic, and at about a 10 when I need you to be at a 7" (as if he was directing my volume on a set)

3) "At this age I realize with dating looks don't matter" (mind you, when we had matched on hinge my profile read, "lingerie model at savage x fenty" as work, and I had only professional studio actor pics up, no regular ones LOL) That would be like me swiping with a construction worker then when meeting up saying, "I know what you do for employment, but with maturity I've come to the conclusion I don't believe in architecture, buildings are pointless" 

What are your most bizarre, I'd love to hear them because I get them constantly, & it helps to laugh em off!

Matthew McConaughey Breaks Down His Career — From ‘Dazed and Confused’ to ‘Interstellar’ by Ashley Renee Smith  •  last post Oct 15th

Few actors have navigated such a bold and unpredictable path as Matthew McConaughey. In this incredible retrospective, McConaughey walks through the defining roles of his career, from his breakout in Dazed and Confused to the emotional depths of Dallas Buyers Club and Interstellar.


Watch here: https://www.youtube.com/watch?v=9eIqufWkyi0

He reflects on:
His early days breaking into the industry
The discipline behind his dramatic transformation
Why he walked away from romantic comedies at the height of his fame
The philosophy behind his “McConaissance” and what he learned about craft, risk, and staying true to himself

McConaughey’s journey is a masterclass in reinvention and authenticity, a reminder that great acting comes from knowing when to trust your instincts and bet on yourself.

Which of McConaughey’s performances do you think best captures his evolution as an actor?

Is there a role that changed the trajectory of your career? by Suzanne Bronson  •  last post Oct 14th

Naomi Watts talks about how she struggled to book work until David Lynch cast her from a photo. Mulholland Drive changed everything for her. I am wondering if anyone has a story like that. Did someone cast you in a TV show or movie that completely changed the trajectory of your career?

https://variety.com/2025/film/entertainment-industry/naomi-watts-journey-from-mulholland-drive-to-walk-of-fame-1236545919/

Character Posters by Brandon Keeton  •  last post Oct 14th

Back in the day, I LOVED the film "Clue" with Tim Curry.  I remember going to the theatre and seeing not just the regular poster for the film, but each character got their own poster.  Mr. Green, Colonel Mustard, Mrs. White, the whole cast!


Fast forward 40 years and I'm acting, writing, directing and producing and I just finished a passion project short film entitled "Stories".  Feel free to follow us on IG @storiesshortfilm and take a look at my monthly blog about pre to post and festival run to distribution (maybe).  

Bottom line, we did an impromptu photo shoot while on set, of the main actors. I took a page from something I enjoyed as a kid and went ahead and spent some extra money on getting individual character posters.

My question is, as Actors, is this something you'd get a kick out of, something to maybe help in marketing yourself, or just something to feed the ego a little bit and not much more?  I'd love to hear your thoughts.

Great Video Essay by YouTuber by Vidal Ramirez  •  last post Oct 14th

Came across this recent video breaking down the acting in No Country for Old Men. It's pretty new --- was uploaded one month ago. 

The Anti-Method Acting of No Country for Old Men | Acting Breakdown
https://youtu.be/3o6OmgsLIjQ?si=0Aq56A3BVKGurO6Q

Fantastic editing. Overall, it's a pretty great video breaking down how grounded/normal everything was during filming. Generally speaking, with movies like this, you kind of assume it will be pretty serious and weird. 

There were a lot of interviews here that I hadn't seen before, particularly with Kelly MacDonald who talks about her character Carla Jean. If I had to guess, I believe this is from the extras on the DVD. 

The most striking thing for me was something Kelly MacDonald said about Carla Jean and Llewelyn: 

"They didn't even need the money --- they had everything already." 

Voice Flexibility by Adam Reiver  •  last post Oct 14th

I had an interesting conversation with a lit manager recently who suggested I lean into a thriller I’d been developing — even though my natural lane is dark comedy. His point was simple (and humbling): it’s an easier door to open right now than TV.


I took the note, refocused, and I’m now in final-draft territory. The project’s been scoring high in coverage, but what’s mattered most is seeing how quickly clarity and market awareness can reshape a script.

It’s been a reminder that flexibility doesn’t mean losing your voice — it just means letting the work find its best route to daylight.

Curious how others have navigated that pivot between passion projects and market reality.

Production is Hell - And I'm Not Quite Dead... Yet by Morgan Aitken Ipg  •  last post Oct 14th

I've gone dark for a while, but not forever. I guess it's called 'in production' in filmmaker-speak. So far, I've been through: contract breaches; lead talent jumping ship; at least 3 major re-writes on the fly; 9 timezones, equipment failures that would put Apollo 13 to shame; tropical storms; injuries; eye watering financial outlay; getting SWATed and footage seized; a police raid; getting arrested; ending up in the middle of NATO live-fire war games; geo-political posturing that's puts us in the cross-hairs; running out of food and fuel; and even a lightning strike. As I write this I'm flat on my back with with bruised kidneys (pissing blood), broken ribs, a black eye, at least 500 miles from any medical help; and so long without a shower, I can't stand my own stench. But, by Dog, we're gonna get this film in the can, even if it kills us!


And that, my friends, is 'production' - welcome to hell.

But, you know what? I've never felt so alive, or in-the-now.