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Waering the robe. by Nicolá MelissiAn  •  last post Jul 10th

As an actress, I know that a dress is never just fabric – it’s transformation, presence, and storytelling. In this short visual, “Wearing the Role with My Tascano”, I explore how wardrobe becomes part of the performance, shaping emotion and character even before a word is spoken.

As a Stage 32 Ambassador for Germany and the Dominican Republic, I’m passionate about connecting international creatives and celebrating the visual language of storytelling — through movement, style, and expression.


Sci-fi and fantasy fans—this one’s for you! by Leonardo Ramirez  •  last post Jul 10th

Join the executive producers and showrunners behind The Witcher, Severance, Snowpiercer, and Stargate for a free Stage 32 webcast filled with insider insights on what's selling, how to adapt existing IPs, and what networks and streamers are hungry for right now.

Attend live to ask your questions during the Q&A and hear what networks and streamers are buying now.

Can’t make it live? Register anyway, and the full recording will be added to your Stage 32 Education Library.

Free registration: https://www.stage32.com/education/products/stage-32-presents-sci-fi-fantasy-roundtable-the-state-of-the-industry-adapting-ip-today

Ceo acting by John January Noble  •  last post Jul 9th

 I'm looking forward to seeing this movie. You can tell he's really living the character. Beautiful cinematography, strong acting, perfect scenery, and a well-adjusted team. This scene looks promising. You can see the dedication. !!!    Living another life, feeling intensely, transforming emotion into art.

I remember a recording in which Ana, a super-talented actress, gave her all. It was incredible to see, super inspiring for those who were just starting out and watching this dedication up close. I imagine how hard she and other big names worked so that we could really feel each scene, truly enter into that atmosphere.

I watched movies that made me feel like I was inside the story. One of them was Somewhere in Time. My wife and I felt like we were floating with the movie... it was magical. I'm sure many of you here have also had that feeling.

Actor Anxiety: Why Being Asked to Re-Record Your Lines Isn’t Always Bad by Aaron Marcus  •  last post Jul 8th

Actor Anxiety: Why Being Asked to Re-Record Your Lines Isn’t Always Bad

https://youtu.be/2-emlHSlxKI

Have you ever been asked to re-record your lines? If so, share your experience here and on the channel so we can learn from you.

Seeking Insights on Writing and Acting in Your Own Screenplays by Yvonne Padmos  •  last post Jul 8th


Dear Stage 32 Community,

My name is Yvonne, an actress with a deep passion for storytelling through my own theater shows. Looking back, I recall being approached for film roles when I was younger. Yet, I couldn’t bring myself to say yes. Why? It wasn’t fear or doubt—it was the lack of control. Reading someone else’s script felt like stepping into a world I hadn’t shaped, and that didn’t sit right with me.

Back then, did I envision myself writing screenplays years later? Honestly, no. But here I am, crafting my own stories for the screen. Do I see myself starring in these films? Not quite. For now, I’m more drawn to pitching my work—think press-style sizzle reels—while envisioning other actors bringing my scripts to life. Will this mindset shift? Perhaps. I’m open to change, but I’m curious about the journey.

This brings me to my question for you, the talented Stage 32 community: Are there any screenwriters here who also star in their own films? What’s your philosophy behind wearing both hats? How do you balance the creative control of writing with the vulnerability of acting in your own story? I’m eager to hear your experiences and insights, as I navigate this path with curiosity and an open mind.

Thank you for sharing your wisdom!

Warm regards,  
Yvonne

Have you ever used your acting or creative skills in service of a cause you care about? What happened? by Alexandra Stevens  •  last post Jul 7th

I was just reading how Michael Sheen from Good Omens and Twilight recently released a children’s picture book, A Home for Spark the Dragon, benefiting homeless charities. He also launched and funded a national Welsh theatre. He has described himself as a “not-for-profit actor.” Emma Stone, Mark Ruffalo, Tarji, P. Henson and others are also 'actor activists' 


My question is,  Have you ever used your acting or creative skills in service of a cause you care about? If so, what happened?

Happy Monday Everyone! by Sydney S  •  last post Jul 7th

Hope everyone had a great weekend!


I wanted to let you know that our 4th of July Sale has been EXTENDED until midnight tonight!

You can save 20% on all Stage 32 education — including webinars, classes, and labs — by using the code 4THOFJULY25 at checkout.

If you have any questions or would like a recommendation, feel free to email us at edu@stage32.com .... We’re always here to help!

Hope you take advantage of it — and have a productive week ahead. Happy Learning!

Cynthia Erivo by Matthew Gross  •  last post Jul 4th

I was watching "Wicked" and thinking to myself, 'Wow, it would be fun to work on a film with Cynthia Erivo.' She is so talented. When I visited my IMDB page, I discovered a few years ago I in fact did appear in a musical (visual album) featuring Cynthia Erivo. Thank you, universe! ❤️

Hollywood Accents... by Ryan OL  •  last post Jul 4th

 Correction ! The ‘Trans-Atlantic’ accent is NOT 'made up ‘ without ‘true native’ speakers. The ‘Mid-Atlantic' accent is NOT the same... https://ryanol.com/trans-atlantic-and-mid-atlantic-accents ... #EnglishAccents #Transatlantic #MidAtlantic #Accents #English

How to find the Right Drama School? by Nicolá MelissiAn  •  last post Jul 3rd

https://youtu.be/tVPifcnLRas?si=o9hDmAG83w8V_N5THey everyone as a Stage 32 Team Ambassador for Germany and the Dominican Republic I’m excited to share my new YouTube video How to Find the Right Drama School Private or State-Funded In the video I talk about the differences between private and state-funded acting schools and why public institutions often offer stronger industry connections especially through theatre and state-supported networks Watch here [insert your YouTube link] I’d love to hear your thoughts what kind of training did you choose and why Let’s open the conversation ⭐️☀️

Active Listening for Actors - Speiser/Sturges Acting Studio by Florin Şumălan  •  last post Jul 3rd

https://youtu.be/NEZJrQRRJ7M?si=fKhtsQTl2vHgONMB

How did you find your agents or manager? by Brittany Christine  •  last post Jul 3rd

I first moved to Los Angeles Aug 2014, fresh from another country, (although American) so the majority of my work and reps had been overseas with people no one had heard of. 


Because I had been a union actor there, I went directly to the SAG website & printed up list of SAG Franchised agencies based in Los Angeles, crossing out each as I sent submissions. 

At that time, the majority were still only excepting mail outs, so I first sent to all that took emails, then went and printed up a ton of headshots with my one page shortened resume on the back for the theatrical ones, as well as front to back model comp cards, that I stapled to a paper version of a resume for the modeling agencies. (since both of my managers at Williams Management and Gilchrist Management had divisions for both, I was used to having two different resumes and sets of pics, one for acting, one for modeling)

I got called in to meet with three in person, Wilhelmina wanted me for their plus size division (but I would have to put on 20 lbs) Mavrick Artists wanted me for the Sports and Specialty Stunt Division (but I would have to keep up with training although I had just been certified for a bunch of safety and stunts in Oz ) and Peak Models wanted me as I was, didn't matter if I gained or lost weight or kept up with certs or not so I went with them and oddly enough, the agent I would have had/& had met with at Wilhelmina ended up coming over to Peak so I got the representative I wanted in the end anyway!

Moral of the story is, you never know what could happen! Did you have any no's that lead to yes's? Have you recently done any rep hunts? What seemed to work for you? And not work for you? I'd love to hear!

Uncomfortable audition story by Suzanne Bronson  •  last post Jul 2nd

Charlize Theron has spoken about an uncomfortable audition she had with an well known director when she was starting out. This made me think, what about you? Do you have a story of an audition gone wrong, or a scary situation, and how did you handle it? What advice would you give to new actors going out on auditions on how to stay safe?

https://variety.com/2025/film/news/charlize-theron-director-sexual-pass-audition-1236446079/

Immersive storytelling: is this the future of character building? by Alexandra Stevens  •  last post Jul 1st

Sharing this week's Coffee and Content blog about Sinners. Lots of interesting stuff in the video essay on Sinners https://youtu.be/DPGf5TfGwAk?si=nTD9XokhIfxAX1SZ.

 One thing it talks about is how Coogler explores immersive storytelling. I"m wondering, How do you use immersive techniques (like internal monologue or unconventional staging) in your own acting work?
 Here is the link to Coffee and Content https://www.stage32.com/blog/coffee-content-what-ryan-cooglers-sinners-teaches-us-about-creative-control-4147

This Free Actor's Marketing Tool Is A Networking Game Changer by Aaron Marcus  •  last post Jul 1st

This Free Actor's Marketing Tool Is A Networking Game Changer


https://youtu.be/8wxi0T5fQLs

Have any suggestions for apps that help actors? If so, share it here and on my channel so we can learn from you.

A Powerful Reminder from Two Stellar Performers by Ashley Renee Smith  •  last post Jun 30th

This fascinating audition tape comparison shows Emilia Clarke and Claire Foy both reading for the role of Elizabeth in Belle (2013), a role that ultimately went to Sarah Gadon:

https://youtube.com/shorts/oSVkfFp93fU?si=PfBFjtFO5dsRbKo_

What’s so striking here is how different each take is, yet both are deeply compelling. Each actress brings a unique emotional tone, personality, and point of view to the same lines of dialogue, proving just how much life the performer breathes into the text.

Neither of them got the part in the end, and yet you can clearly see the caliber of their talent. It’s a perfect example of how auditioning isn’t about being “perfect,” it’s about offering a truthful, grounded, and inspired interpretation.

Rejection isn’t failure. It’s just not this one. Not this moment. But your moment is coming, and every audition is a brick in the foundation of a creative career built to last.

Have you ever had an audition you were proud of, even if you didn’t book the role? Let’s talk about it.

Advanced acting course,based on method, Stanislavsky,Freud and yin by Michael Muschamp  •  last post Jun 27th

I am a British cinematographer with 31 years experience with 32 features to my name, offering a very intensive on.line workshops on.line .


Offering a great "sizzle reel"and a chance to be casted in my next features.

Please p.m.

Mike@enkiproductions1.8b.io

What does it really mean to br… by Nicolá MelissiAn  •  last post Jun 26th

As an actress, producer, and Stage32 ambassador, I’ve experienced what it feels like to be on the outside – and what it takes to slowly, authentically work your way in. In my latest video, I talk about: the invisible “circle” that often determines who gets seen – and who doesn’t how to make yourself heard as a newcomer – without losing your voice why networking isn’t the same as pretending how to know your own value – even before the industry reflects it back to you and why persistence matters – especially in the quiet phases Maybe you’re in that space right now. Or maybe you remember what that felt like. Either way, I’d love for you to watch the video – and even more, to hear your thoughts. Watch it here: https://www.youtube.com/watch?v=osTbHpC5Qts&t=178s

Suck it up and do it! by Brandon Keeton  •  last post Jun 25th

Hey all!  

  I know we've all had this happen before.  The inevitable last minute audition sent by your Agent.  
  I had just woken up for the morning and had a full day planned with pre-production on the project I'm directing/Producing next month.  
  I was about to head out the door when I get an email from my Agent in Atlanta.  As the door is wide open, letting out the AC, I decide to see what it's about.  Now, normally, I answer emails at night when I'm done with my day but for some reason, I decided to look at this one right then and there.  No idea why.
  It was an audition that was due in an hour and a half!  Ugh!  I read a little more of the email and saw that the audition was for a show starring someone I have followed my entire GenX life.  One of the most recognizable stars on the planet.  As inconvenient as it was, I closed the door and went to my basement studio to do the audition, cursing the entire time.  "This is what you WANTED Brandon!" I kept reminding myself.
  Now, am I going to get this part?  Probably not.  Only an hour prep time, the lines weren't memorized and there was no reader.  Ugh!  I KNOW!
  But still... I got to ACT that day, when I was only going to be doing the "boring stuff" of movie making.  It brightened my day that day.
  So, what are your last minute audition stories?  Did you get the part or was it just cool to get to act that day?  Let me know!
  

Justine Lupe Teases What’s Ahead in Nobody Wants This Season 2 by Ashley Renee Smith  •  last post Jun 24th

If you’re a fan of character-driven dramedies, Nobody Wants This has likely been on your radar. In this new article from Deadline, actress Justine Lupe shares insights on where Season 2 is headed and how the show continues to challenge expectations with its honest, offbeat storytelling.


Read the article here:
https://deadline.com/2025/06/justine-lupe-nobody-wants-this-season-2-1236436051/

And if you missed it, we recently hosted a FREE Stage 32 webcast with series writer Mahtub Zare Mochanloo, where she discussed writing for Nobody Wants This, breaking into a writers’ room, and crafting these complex roles. You can now watch the full conversation on demand:
https://www.stage32.com/education/products/30-minutes-with-nobody-wants-this-writer-mahtub-zare-mochanloo

Actors, what kinds of roles do you hope writers continue to create in shows like this? Let’s talk about what you’d want in a character, even if the show’s title says otherwise.